If you find yourself in France for an extended period, a couple of months, even, you are crazy not to track down and join the local branch of the Acceuil des Villes Françaises, the AVF. The organization is for people new to the city, the members a fascinating mix of French and non-French. Many of the French members are themselves new not just to the city but to France, having lived abroad for many years.
The benefits: meeting people, parties, practicing French, food, French, wine, French, parties. The members are self-selected to be the friendliest people in France, and the most welcoming to outsiders. They are also saintly in their patience, as I will demonstrate here.
Last week I gave a half-hour presentation on book blogs to an AVF audience, about a dozen people. In French, a language I do not really know. My French is a lot better than it was in September. This was not a final presentation in a French course, but it sure felt like it.
An AVF member had organized a series of talks on “Passions,” meaning true amateurism, hobbies taken seriously. Material for a blog, right? Using myself as a case study, I showed what a blog is, how it works, and why it is useful, without putting much emphasis on literature as such. The blog is an all-purpose form.
With no internet connection, I could not play around with the blog but had to screenshot every relevant item in advance.
So: screenshots, half-hour, general interest, and French-in-progress. Those were the constraints. That suggests the level of the talk. I doubt I said anything that would surprise anybody.
I defined some terms. I deployed the Samuel Johnson quote about how only blockheads write for free. If I were writing for the blog, I would just drop in the word “blockhead” and assume every possible reader knew the Johnson quote already. I used Wuthering Expectations to show some bloggy features, especially the comments and commenters.
I emphasized two things, really, first, the community or interactive side of blogs, the mysterious process by which actual humans who know a lot wander by and help me, and second, the remarkable international diversity of bloggers and blog readers. I showed some examples, maybe even your blog! Who can say. Whatever arguments I might have against social media, the global connections among people with shared passions have worked as advertised.
I ended the talk with a bit of French-flattering English-bashing, all true, I am afraid, arguing that book blogs have had a special role in countering Anglophone insularity and connecting the small number of English-reading people interested in non-English literature, in so-called “literature in translation,” and have had a real, expansive influence on publishers, translators, and readers. And how we need those books.
Before the talk, I asked for advice on Twitter – many thanks to everyone who contributed. Some hint of every suggestion was somewhere in the talk. Ma femme gave a short, illustrated talk on beautiful libraries before my section, which surely helped put the audience on a good mood. And there was, as always, wine, and snacks, and pastry. I guess there were worse things than enduring my talk. Still, what kindness. Endless thanks to the Lyon AVF, international branch.
Showing posts with label French amateurs. Show all posts
Showing posts with label French amateurs. Show all posts
Monday, April 23, 2018
My final presentation in France - book blogs are good
Labels:
France,
French amateurs
Thursday, May 8, 2008
all the canvas that ever suffered from French brushes
Lest I give the idea that 19th century aesthetic theory is all heavy lifting and Schopenhauer, here's John Ruskin, telling a joke:
"The other day at Bruges, while I was endeavoring to set down in my note-book something of the ineffable expression of the Madonna in the Cathedral, a French amateur came up to me, to inquire if I had seen the modern French pictures in a neighboring church. I had not, but felt little inclined to leave my marble for all the canvas that ever suffered from French brushes. My apathy was attacked with gradually increasing energy of praise. Rubens never executed - Titian never coloured anything like them. I thought this highly probable, and still sat quiet."
John Ruskin, Modern Painters, I.I.v, "Of Ideas of Truth"
Well, I think it's funny. Ruskin's comic relief certainly helps a person move through Modern Painters. I don't want to exaggerate - there may be a joke every 20 pages or so. The long sections "On Leaf Beauty" and "On Cloud Beauty" may be hilarious, but I'm not counting on it.
Still, a joke here and there beats none at all.
"The other day at Bruges, while I was endeavoring to set down in my note-book something of the ineffable expression of the Madonna in the Cathedral, a French amateur came up to me, to inquire if I had seen the modern French pictures in a neighboring church. I had not, but felt little inclined to leave my marble for all the canvas that ever suffered from French brushes. My apathy was attacked with gradually increasing energy of praise. Rubens never executed - Titian never coloured anything like them. I thought this highly probable, and still sat quiet."
John Ruskin, Modern Painters, I.I.v, "Of Ideas of Truth"
Well, I think it's funny. Ruskin's comic relief certainly helps a person move through Modern Painters. I don't want to exaggerate - there may be a joke every 20 pages or so. The long sections "On Leaf Beauty" and "On Cloud Beauty" may be hilarious, but I'm not counting on it.
Still, a joke here and there beats none at all.
Labels:
aesthetic theory,
French amateurs,
painting,
RUSKIN John
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