The Wuthering Expectations Year in Review

The most important statistic first, Number of Books Read: 107, assuming I finish Vanity Fair soon. 107! Awesome! What's that? Is one of these books basically two pages long? Yes, what's your point? No, no, no, it totally counts.

So one thing that happened this year was that I read shorter books than usual. Really short, hundred pagers, or poetry collections that, if stripped of white space, might be fifty pages. One reason was the trip to Senegal. For a variety of reasons, including some constraints of West African publishing, many of the most famous Senegalese books are very short.

Another reason was the sudden, surprise trip to Tokyo. In that case, I deliberately selected short books.

A final reason was that it's simply a myth that the 19th century is particularly characterized by long books.

I hope that was the final reason. Another possibility is that I read short books in order to have something to write about. I hope not. I just started The Count of Monte Cristo for balance.

What does length mean, anyway? The Hardest Book of the Year was a very short one, Søren Kierkegaard's Fear and Trembling, recommended by some well-meaning, I assume, commenters. My poor head, my poor head, it trembles yet.

Best Book of the Year: Nikolai Gogol, Dead Souls, the Greatest Novel of the First Half of the Nineteenth Century. I state that opinion with great confidence - not confidence that anyone will agree with me, but that I am unlikely to change my mind. Vanity Fair, which I love, probably won't quite make it that far. This is a bet a fellow wants to lose, so I hope that Dombey and Son or Mary Barton or The Count of Monte Cristo really knock me out. But I have my doubts.

De-Humiliations: Meaning, famous books that I read for the first time. Thackeray's Vanity Fair, Charlotte Brontë's Jane Eyre, and Theodor Storm's Immensee. I should point out that although I enjoy this game, I do not actually find it humiliating that I have not read whatever books I haven't read, even if those books are Middlemarch, Walden, or Les Miserables. I mean, I want to read them, but the Amateur Reader does not, and should not, actually feel bad that he hasn't. Maybe I should also count Adam Bede as a de-Humiliation, since I had never read George Eliot before.

More Favorites: Emily Brontë, Wuthering Heights; Honoré de Balzac, Eugénie Grandet; Jeremias Gotthelf, The Black Spider; Prosper Mérimée, Colomba; Joaquim Maria Machado de Assis, The Posthumous Memoirs of Brás Cubas; Aminata Sow Fall, The Beggars' Strike; Ousmane Sèmbene, God's Bits of Wood; Nikolai Gogol, "The Overcoat"; Nathaniel Hawthorne, "The Artist of the Beautiful". Theodor Storm's stories were generally very impressive.

Robert Browning, Dramatic Romances and Lyrics; One Hundred Poems from the Japanese, translated by Kenneth Rexroth; a 17th century obscurity called Hamlet (thanks, Nigel!)

Christpher Benfey, The Great Wave: Gilded Age Misfits, Japanese Eccentrics, and the Opening of Old Japan ; Jonathan Spence, The Death of Woman Wang; Vladimir Nabokov, Nikolai Gogol.

The mention of Machado de Assis reminds me of a special category, Worst Editing I Saw All Year: Oxford University Press, The Posthumous Memoirs of Brás Cubas by Machado de Assis. I read the 1996 first edition, the flagship title in their Library of Latin American Literature.

There was a major editing error every three pages or so. Some were like "now\know", some were like "hedl\held". They were spread through the entire novel. My favorite howler was in the introduction, where the novel is compared to Erasmus's In Praise of Polly, twice on the same page. Now, I would love to read that book, presumably an ode to Erasmus's favorite parrot, but it unfortunately does not exist. Late in the novel, the narrator mentions In Prasie of Folly, suggesting that the editor of the introduction did not read the actual novel too carefully.

Well, it was only a major English edition of the greatest Brazilian novel. Why knock yourself out.

Anyway, what a lot of good books.

Next: next.