Right, July, July, so long ago. I was on the road a little bit, making literary pilgrimages. Pittsfield, Massachusetts, for example, to Herman Melville’s Arrowhead:
On this spot, not at this exact desk but in front of this
exact window, Herman Melville wrote Moby-Dick, Pierre, Israel
Potter, The Piazza Tales, and The Confidence Man. He wrote “Bartleby, the Scrivener,” a story
about a man with a window view of a blank brick wall, in front of this view.
Near Ithaca, New York, I crossed paths with Vladimir Nabokov
and A. R. Ammons and many other great writers, looking at waterfalls they also
looked at, although Nabokov would have spent more time up on the rim looking
for butterflies.
And finally, back in Massachusetts to the Emily Dickinson
house in Amherst:
On this spot, although not at this exact etc. (see above), Emily Dickinson wrote most of what she wrote. I had not known that for almost her entire writing life – a pretty big chunk of her entire life – she went everywhere with a Newfoundland named Carlo, after a “minor dog in Jane Eyre,” to quote one of the many superb guides. I guess I knew Carlo existed, but I did not understand that Dickinson’s dog was a Newfoundland, gigantic, shaggy, weighing more than her. Imagine here at the little desk, writing whichever masterpiece you have in mind, while shoving a giant dog head out of her lap. Changed my whole idea of the Dickinson enterprise. And she did all that writing while sitting on a pine cone!
The guides – at times literally one per room – were devoted
and full of interest. “When Sir Andrew
Motion visited, his first question was” – no, you will have to visit the house
to learn Motion’s first question (it was – of course! – about Carlo).
I also read some books.
FICTION
The Road (1934-63), Vasily Grossman – a curious
hybrid book, Grossman’s stories, plus “The Hell of Treblinka,” mixed among what
amounts to a valuable little biography by Robert Chandler.
Mildred Pierce (1941), James M. Cain – about a woman
who creates a successful fried chicken restaurant, one American art form about the
greatest American art form. I had
not seen the movie, or for that matter read the book before, and had no idea that
it would be perhaps the most purely melodramatic novel I have ever read.
Midaq Alley (1947), Nahguib Mahfouz – a classic “neighborhood”
novel, a look in on the various residents of one Cairo block, sociologically interesting
and full of good gossip. The way we live
now, for a specific we and now. I read
the book slowly, since there seemed to be no hurry, until the three-quarter
mark when the story of one cluster of characters took a melodramatic turn and
pushed me quickly to the end.
Ship Fever (1996), Andrea Barrett – High quality
stories full of flattering, educational science.
American Desert (2004), Percival Everett – Maybe at some
point I will piece together some thoughts about Everett. I’ve read five of his books now and am
beginning to imagine that I have thoughts.
Paul Celan and the Trans-Tibetan Angel (2020), Yoko
Tawada – what a title. The novella,
written in German, translated by Susan Bernofsky, is crammed with quotations
and words from Celan’s poems. Who knows
what I might have missed, or seen.
POETRY
The Pages of Day and Night (1950-83) &
Mihyar of Damascus, His Songs (1961), Adonis – a selected
poems and then a jump back to the breakthrough book, where Adonis creates the “Mihyar”
persona, a mystical version of himself that pushes past his skepticism, allowing
for a more original poetic voice, free from the endless, rich, but possibly
stifling conventions of classical Arabic poetry. The quotation in the title is from “I Search
for Odysseus” (p. 24-5, tr. Adnan Haydar and Michael Beard).
Breathturn (1967), Paul Celan – After reading the
Towada novel, and I at least took another look, at the Pierre Joris translation
this time, which Bernofsky uses.
ANIMALS
The Soul of an Octopus (2015), Sy Montgomery – long time
since I read a book about animals. This
one is also about people, with a local angle, the, what are they, fishkeepers
and volunteers at the New England Aquarium in Boston, a place I should obviously
go.
IN PORTUGUESE
Poesia (1944), Sophia de Mello Breyner Andresen – Her
first book, little lyrics about the sea, like she would write for her entire
life.
Caminhos que faço meus (2023), Pedro Gil de
Vasconcelos – My Pilgrimages, maybe, or My Caminos if I can use
the Spanish, pilgrimages to Santiago de Compostela. Gil de Vasconcelos is a Portuguese journalist
who has done many Caminos, so he can mix stories from the older ones into the
current one, which is good since the current one is not all that interesting. An book of high value for the Portuguese
language learner since it is full of useful vocabulary that is constantly
repeated. I mean, it’s a long walk in
the Galician mountains. A glimpse of the
trail is in the trailer (Youtube link) for the accompanying documentary, which
I have not seen.
Ler, the Spring 2024 issue – To Read, or maybe
Read! The Portuguese Bookforum, more or less. I read almost all
of it. An article about Spanish politics
was too cryptic, and a throwaway where writers babbled about their most and
least favorite words was too stupid. The feature article is about the current wave
of young female writers from South and Central America and the interesting
books they are writing. Nice to be able to read such a thing.
How exciting to visit both Melville's and Emily Dickinson's writing spot.
ReplyDeleteIf you go to Boston you must visit the Brattle Bookshop.
My daughter lives in Ithaca now but I haven't visited any of the waterfalls yet.
ReplyDeleteI enjoyed The Soul of an Octopus but read it after I got home from Boston.
Loved the sitting on a pine cone line--I had to look it up to see why you'd said it!
Oh man, you were in Amherst! If I'd known, I'd have been happy to take the tour with you -- I've done it twice and have been thinking of doing it again. (And back in the early 2000s, I lived in Pittsfield, where of course I visited Melville.)
ReplyDeleteI am back in comment-reaplying mode. Thanks for the comments!
ReplyDeleteClare, yes, Brattle. I enjoyed the scene in The Holdovers where the characters browse at Brattle. I assume it is period accurate, meaning almost nothing has changed since 1970. I have been stopping by Brattle once a month, on my way to the doctor.
I asked one of the guides about the Dickinson House pine cones, because I had never seen them at any other house museum. Chairs with pine cones - vintage chair, do not sit; chairs without - take a load off. The guide said the pine cone method works.
Stephen, next time! I have no doubt I have more to learn at the Dickinson house. Or we can tour the Christopher Benfey house, or the William Pritchard house.
Maybe you can tell me who sold off the highly tempting poetry collection in the basement of Amherst Books. I took C. H. Sisson, L. E. Sissman, and Anthony Hecht, but there were a lot of good ones.
Okay so I have seen Mildred Pierce the film.
ReplyDeleteI believe there are changes from the book - the story is absolutely ridiculous - but it is one of the most well-lit B&W films I've ever seen. The lighting is so good.
The novel covers a lot of time and has a lot of social ambition - life during the Depression and so on - which I assume the film compresses or tosses out.
ReplyDeleteI do like the idea of a well-lit black & whote film of the preparation and plating of fried chicken. But that is likely not this movie. It would be a fine work of art.
The plot of the novel is ridiculous but the plot of the movie, which I just looked up, is more so, quite a bit.